TYPEFACE explores the twilight of an analog craft that is freshly inspiring artists in a digital age, and the museum in Two Rivers personifies cultural preservation, rural re-birth, and the lineage of American graphic design. But the museum's future is unclear. What is the responsibility of artists and historians to preserve a dying craft?

TYPEFACE explores the twilight of an analog craft that is freshly inspiring artists in a digital age, and the museum in Two Rivers personifies cultural preservation, rural re-birth, and the lineage of American graphic design. But the museum's future is unclear. What is the responsibility of artists and historians to preserve a dying craft?

After graduation our main character Yesenia dreams about work- ing with Rodion Meglin. He is a mysterious, secretive man, a lone investigator with little known about his methods. When Yesenia turns into his trainee she begins to realize that the essence of his method is that Meglin himself – that of a maniac. He feels them instinctively. He is allowed to eliminate some of them, look after others and save their lives. Our heroine who was never meant to work alone will go alone, facing the most horrible crimes of the last decade.

A young actress finds that the character she just finished playing won't go away.

A young actress finds that the character she just finished playing won't go away.

Dreams and hopes we had when we were young. Are they just dreams frozen like still pictures? Hyeonsu has been a part-time lecturer for 10 years. He used to dream of becoming a photojournalist but now his only dream is to become a full-time professor. But he has no financial ability to look good to other professors. He’s been married for 10 years and his wife is his only family. Eunsu appears in front of him after 20 years. She’s the one who taught him to take photos and also his first love. He’s shaken by her but finds out that she’s also applying for the full-time professor position he’s longing to get…

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Solitary men in a roomy but empty cinema, ever-present smartphones and pop-up sexual intimations coalesce in a raunchy yet incisive portrait of Manila’s evolving queer space.

In the darkroom, 50 unexposed film strips were laid across a surface, upon which a frame of La sortie des ouvriers de l’usine Lumière was projected to create a new kind of film…

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